The first two photos are ones that I took and the third photo is the manufacturers thumbnail image. This is a reference to show the variations in the batik colors. The actual fabric looks closest to the first two photos and is not as dark as the third photo. The fabric background is a dark navy blue color that is close to black.
The first two photos are ones that I took and the third photo is the manufacturers thumbnail image. This is a reference to show the variations in the batik colors. The actual fabric looks closest to the first two photos and is not as drab or pink as the third photo. This fabric has a wide range of blended colors that are mainly yellow-green, hunter (blue) -green, peachy coral orange, and beige with small hints of dark blue and indigo purple. It’s also slightly lighter in color than Batik Textiles 5316 and 5317.
The first two photos are ones that I took and the third photo is the manufacturers thumbnail image. This is a reference to show the variations in the batik colors. The actual fabric looks closest to the first two photos and is not as bright as the third photo. This fabric is a rich pink coral and yellow-beige color and make a perfect tropical blender.
The first and last two photos are ones that I took and the third photo is the manufacturers thumbnail image. This is a reference to show the variations in the batik colors. The second photo is the view looking at the fabric as wrapped on the bolt and not WOF. If you’re unsure about the true color, please contact me directly. I’m happy to help.
The latest bolt of this beautiful fabric is more pastel than it appears in the last three photos. The tones are softer and include turquoise blue, banana yellow, indigo, plum purple, fuchsia pink, grape purple, shamrock/lime green, teal green, and a melded brownish color where some of the colors run into each other. This is a gorgeous fabric in person!
The last two photos are examples of a quilt that I made using this fabric. The last photo shows the backing (same fabric as in the border) showing through the front of the white quilt background with sunlit backlighting – making a stained glass effect.Â